Tom Dahm — Horror, Nostalgia & Physical Media Collecting

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A Nightmare on Elm Street (1984) | 50 Days of Horror, Day 37

50 Days of Horror

A Nightmare on Elm Street (1984) | 50 Days of Horror, Day 37

Day 37 of 50 Days of Horror: Wes Craven's A Nightmare on Elm Street turned sleep into the enemy, and gave horror Freddy Krueger, Nancy Thompson, and some of the most inventive practical effects ever filmed.

50 Days of Horror Day 36 title card for Jordan Peele’s Get Out (2017), featuring a blurred teacup and spoon beside the film’s shattered-glass

50 Days of Horror

Get Out (2017) | 50 Days of Horror, Day 36

Day 36 of 50 Days of Horror: Jordan Peele's Get Out turns a weekend visit into a masterclass in social horror, and a $4.5 million debut into an Oscar-winning phenomenon.

50 Days of Horror Day 34 title card for John Krasinski’s A Quiet Place (2018), featuring the film’s poster art of Evelyn Abbott with a hand clamped over her mouth

50 Days of Horror

A Quiet Place (2018) | 50 Days of Horror, Day 34

Day 34 of 50 Days of Horror: John Krasinski's A Quiet Place turns silence into a survival rule and a family into the heart of the story, with sound design that earned an Oscar nomination

**"50 Days of Horror Day 35 title card for Sam Raimi's Evil Dead II (1987), featuring the film's poster art of a decayed, wide-eyed skull-faced Deadite

50 Days of Horror

Evil Dead II (1987) | 50 Days of Horror, Day 35

Day 35 of 50 Days of Horror: Sam Raimi's Evil Dead II blends slapstick and splatter into a manic cabin-in-the-woods classic, with Bruce Campbell fighting his own hand and a laughing room.

50 Days of Horror Day 33 title card for Paranormal Activity (2007), featuring a blue-tinted night-vision still of Katie and Micah asleep in their bed, with a 3:08:26 AM timestamp

50 Days of Horror

Paranormal Activity (2007) | 50 Days of Horror, Day 33

Day 33 of 50 Days of Horror: Paranormal Activity, the $15,000 home-movie haunting that Steven Spielberg couldn't finish in one sitting, turned a quiet bedroom and a tripod into a phenomenon.

50 Days of Horror Day 32 title card for Mary Harron’s American Psycho (2000), featuring a film still of Patrick Bateman

American Psycho (2000) | 50 Days of Horror, Day 32

Day 32 of 50 Days of Horror: Mary Harron's American Psycho turns Bret Easton Ellis' notorious novel into a razor-sharp black comedy, carried by Christian Bale's unforgettable Patrick Bateman.

50 Days of Horror Day 31 title card for The Thing (2011), featuring the film’s poster art of a figure in a fur-hooded parka kneeling in a snowstorm, its clawed, mutated hands splayed.

50 Days of Horror

The Thing (2011) | 50 Days of Horror, Day 31

Day 31 of 50 Days of Horror: The 2011 prequel to Carpenter's The Thing shows what happened at the Norwegian camp, and the tug-of-war between practical and digital effects is half the story.

50 Days of Horror Day 30 title card for Halloween 5: The Revenge of Michael Myers (1989), featuring the film’s poster art of Jamie Lloyd in her clown costume beside Michael Myers’ pale mask.

50 Days of Horror

Halloween 5: The Revenge of Michael Myers (1989) | 50 Days of Horror, Day 30

Day 30 of 50 Days of Horror: Halloween 5 is the franchise's messy, rushed, strangely lovable oddball, with a psychic link, a mystery man in black, and an October mood that still works.

50 Days of Horror Day 29 title card for Alexandre Aja’s The Hills Have Eyes (2006), featuring a sunbaked desert landscape beside the film’s poster art.

The Hills Have Eyes (2006) | 50 Days of Horror, Day 29

A quick content note before anything else. The 2006 Hills Have Eyes is a brutal movie, and it includes a sexual assault sequence that many people find the hardest part to sit through. If that's a line for you, nobody could blame you for skipping this one, and

50 Days of Horror Day 28 title card for George A. Romero's Day of the Dead (1985), featuring a film still of screaming zombies reaching toward the camera in a fluorescent-lit corridor.

50 Days of Horror

Day of the Dead (1985) | 50 Days of Horror, Day 28

Day 28 of 50 Days of Horror: George A. Romero's Day of the Dead began as a grand finale, got squeezed into a mine, and turned into the angriest and most human zombie film of the trilogy.

50 Days of Horror Day 27 title card for Wes Craven's The Last House on the Left (1972), featuring the film's black-and-white poster art.

50 Days of Horror

The Last House on the Left (1972) | 50 Days of Horror, Day 27

Day 27 of 50 Days of Horror: Wes Craven's The Last House on the Left is a raw, confrontational landmark that dares you to question why you watch violence, and what revenge costs.

50 Days of Horror

Dawn of the Dead (1978) | 50 Days of Horror, Day 26

Day 26 of 50 Days of Horror: George A. Romero's original Dawn of the Dead turns a shopping mall into a social x-ray, and three different cuts show how editing changes the whole mood.

50 Days of Horror Day 25 title card for Rob Zombie's The Munsters (2022), featuring Grandpa Munster, Lily Munster, and Herman Munster standing in a lantern-lit doorway beside the title text

50 Days of Horror

The Munsters (2022) | 50 Days of Horror, Day 25

Day 25 of 50 Days of Horror: Rob Zombie trades grime for Technicolor in The Munsters, a candy-colored love letter to the sitcom and a seasonal palette cleanser.

50 Days of Horror Day 24 title card for Halloween Ends, featuring a close-up still of Michael Myers' weathered mask against a dark red background.

50 Days of Horror

Halloween Ends | 50 Days of Horror, Day 24

Day 24 of 50 Days of Horror: Halloween Ends turns inward, trading body count for a study of how evil passes from one person to the next like a contagion.

50 Days of Horror Day 23 title card for The Lost Boys, featuring the vampire gang in leather jackets against a red background.

50 Days of Horror

The Lost Boys | 50 Days of Horror, Day 23

Day 23 of 50 Days of Horror: The Lost Boys made vampires young, stylish, and dangerous again — gothic cool bottled straight out of an 80s boardwalk summer.

50 Days of Horror

Final Destination | 50 Days of Horror, Day 22

Day 22 of 50 Days of Horror: Final Destination turns death into an invisible, patient force working through ordinary objects instead of a masked killer.

50 Days of Horror Day 21 title card for Dawn of the Dead, featuring a crowd of backlit zombies walking toward the viewer against a glowing orange sky.

Dawn of the Dead (2004) | 50 Days of Horror, Day 21

Night twenty-one picks up the pace hard. This remake of Dawn of the Dead opens with one of the better everything-falls-apart mornings horror has produced — an ordinary neighborhood collapsing in minutes, a handful of strangers converging on a shopping mall with nowhere else left to go. The

50 Days of Horror Day 20 title card for Shutter, featuring a ghostly figure's face composited from photographs and film reels.

50 Days of Horror

Shutter (2008) | 50 Days of Horror, Day 20

Day 20 of 50 Days of Horror: Shutter ties guilt to photography itself, turning cameras and flashes into witnesses nobody in the story can escape.

50 Days of Horror Day 19 title card for Alien, featuring the film's iconic cracked-egg poster art glowing green in the dark.

50 Days of Horror

Alien (1979) | 50 Days of Horror, Day 19

Day 19 of 50 Days of Horror: Alien turns a cargo ship's hum and empty corridors into dread, proving atmosphere can carry a horror film further than noise ever could.

50 Days of Horror Day 18 title card for The Amityville Horror, featuring a lone figure carrying an axe approaching the haunted house

50 Days of Horror

The Amityville Horror (2005) | 50 Days of Horror, Day 18

Day 18 of 50 Days of Horror: the 2005 Amityville Horror remake turns a home meant to save a family into the thing that unravels it, built for maximum impact.

50 Days of Horror Day 17 title card for The Blair Witch Project, featuring a close-up of a frightened face beside faux-documentary text framing the film as a real disappearance.

50 Days of Horror

The Blair Witch Project | 50 Days of Horror, Day 17

Day 17 of 50 Days of Horror: The Blair Witch Project builds dread from what you can't verify, and reshaped both horror marketing and the genre itself.

50 Days of Horror Day 16 title card for Jason Goes to Hell, featuring a hockey mask engulfed in flames.

50 Days of Horror

Jason Goes to Hell | 50 Days of Horror, Day 16

Day 16 of 50 Days of Horror: Jason Goes to Hell blows up its own formula with body-hopping mythology and practical splatter, and there's something worth sitting with in the mess.

50 Days of Horror Day 15 title card for Diary of the Dead, featuring a shattered handheld camera screen showing figures in a devastated street.

50 Days of Horror

Diary of the Dead | 50 Days of Horror, Day 15

Day 15 of 50 Days of Horror: Diary of the Dead follows film students recording an outbreak, asking whether the camera helps anyone at all.

50 Days of Horror Day 14 title card for Survival of the Dead, featuring a decaying zombie hand reaching up in front of a crowd of the undead.

50 Days of Horror

Survival of the Dead | 50 Days of Horror, Day 14

Day 14 of 50 Days of Horror: Survival of the Dead trades run-or-die zombie action for island politics and a family feud over who gets to be right

50 Days of Horror Day 13 title card for Annabelle Creation, featuring the Annabelle doll at a table .

50 Days of Horror

Annabelle Creation | 50 Days of Horror, Day 13

Day 13 of 50 Days of Horror: Annabelle Creation is the origin story that outdoes its franchise, built on patient staging and clear geography.